There was a slight problem that I had done my story board before Josh had completed the shot list, therefore my story board does not include some of the same information as this shot list. However we had discussed the shot types before hand and we knew what shots I would include.
LOCATION | SCENE# | SHOT | CAMERA POV | ACTION/DIALOGUE |
| Ext. Woodland in Gidea Park | # 1 | Wide Shot of girl walking into the woods (Front View) | Audience Point of view | She walks down a lane nodding alongside the loud music. *A Non-diegetic soundtrack of the musician will be heard by the audience |
| | | Medium Close up shot to show her go past a certain point. (side view) | Audience point of view | As she passes through this point, a figure moves quickly directly in front of the camera. Then the soundtrack goes a bit quiet, replaced by quick shuffling of leaves. (Demonstrating that she had paused the music for a bit). |
| | | Close up shot of the girl’s face prying into the woods. Camera stays behind a couple of leaves. | Audience point of view | She plays back the music and yet again the audience can hear the non-diegetic soundtrack, then she walks off quickly , constantly looking over her shoulder |
| | | Wide shot to show her turn into her street lane | Audience point of view | She does a few skips and seems excited about something, maybe a message on her phone. |
| Shadow Street in Gidea Park | # 2 | Close up shot of the road path ahead | Audience point of view | The killer is moving down the same path the girl took. The audience can hear very deep breathing. He moves in quick successive strides. |
| | | Medium close up shot of girl (back view) | Audience point of view | The girl is about getting to her gate. |
| | | Medium shot of girl turn back swiftly, then a quick pan to show side of a car at a low-angle. | Audience point of view | Killer disappears behind parked cars. The cameraman also does the same. |
| | | Close up shot of the girl | Audience point of view | She looks around her expecting to see someone. But then she becomes scared and shows it in her face. She then turns around and walks very fast to her house. |
| | | Close up shot of the road path | Audience point of view | Killer moves very quickly, breathing heavily. |
| | | Extreme close up shot to show the killer’s hands | Audience point of view | The killer moves after her very quickly catching up to her as she is scrambling for her house keys |
| | | Close up shot of her hands shaking out of her bag and holding on to her keys. Then a further pan to show her try to fit keys in the door | Audience point of view | She shakily brings out her keys and tries to make them fit into the door. |
| | | Close up shot to show her (back view) | Audience point of view | The killer has caught up with her and moves quickly to her |
| | | Medium shot to show her being dragged from the front steps. The camera only shows her face on the killer’s chest with his hand around her mouth. | Audience point of view | The girl is trying to scream and trying to fight him off but he’s too strong for her |
| Int. Bedroom | #3 | Extreme close up shot zooming out of her face | Audience point of view | She wakes up from a dream with her mouth open in scared gasps. The sound of an alarm goes off at the same time. Loud. |
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